The song ascends from No. 2 in its second week on the survey.
Sabrina Carpenter’s “Please Please Please” rises to No. 1 on the Billboard Hot 100 songs chart, a week after it debuted at No. 2. It becomes the first leader on the list for the pop singer-songwriter and actress.
The song, on Island Records and promoted to radio by Republic Corps, drew 50.9 million official streams (up 1%) – Carpenter’s best career streaming week for a song – and 3.2 million radio airplay audience impressions (up 502%) and sold 7,000 (down 10%) in the United States in the June 14-20 tracking week, according to Luminate.
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The single spends a second week at No. 1 on the Streaming Songs chart and holds at No. 7 in its second frame on Digital Song Sales. (It’s as yet bubbling under the Radio Songs chart.)
“Please Please Please” was released June 7, alongside its official video starring Carpenter’s significant other, Oscar-nominated Barry Keoghan, and she performed it during her set at New York’s Governors Ball the following day. On June 18, acoustic, a cappella, instrumental, sped-up and slowed-down versions of the song were released. On June 20, Carpenter announced her 29-date Short n’ Sweet Tour, set to start Sept. 23 in Columbus, Ohio. (She opened on the South American run of Taylor Swift’s The Eras Tour in August-November 2023 and rejoined Swift this February-March for dates in Australia and Singapore.)
The track, along with “Espresso,” at No. 4 on the Hot 100 a week after reaching No. 3, introduces Carpenter’s album Short n’ Sweet, due Aug. 23.
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The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated June 29, 2024) will update on Billboard.com Tuesday, June 25. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
Below is a deeper look at Carpenter’s coronation and the rest of the latest Hot 100’s top 10.
Carpenter's First Hot 100 No. 1
Carpenter, from Quakertown, Pa., first hit the Hot 100 in February 2021. She initially reached the top 40 this February with “Feather” and first entered the top 10 in April upon the debut of “Espresso.”
Here’s a look at Carpenter’s Hot 100 history, with songs ranked by peak position:
- No. 1 (one week to date), “Please Please Please,” June 29, 2024
- No. 3, “Espresso,” June 22, 2024
- No. 21, “Feather,” April 27, 2024
- No. 48, “Skin,” Feb. 6, 2021
- No. 56, “Nonsense,” Feb. 4, 2023
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Sabrina Carpenter Makes Waves During Her Runway Debut at Vogue World 2024:Watch06/24/2024Carpenter rules the Hot 100 a decade after she broke through starring in Disney Channel’s Girl Meets World. In addition to other TV and film roles, she starred as the lead in Mean Girls for a pair of performances on Broadway in 2020.
Carpenter Co-Wrote Her New Leader
Carpenter wrote “Please Please Please” with Amy Allen and Jack Antonoff, the latter of whom solely produced it. As Carpenter earns her first Hot 100 No. 1 as a writer, Allen adds her second, after she co-penned Halsey’s “Without Me,” which led for two weeks in January 2019.
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Antonoff achieves his seventh Hot 100 No. 1 as both a singularly billed writer and producer. He first led as a co-writer of “We Are Young” by his former band fun. (which as a group co-produced the song) for six weeks beginning in March 2012. His other No. 1s as a writer were recorded by Swift, all of which he co-wrote: “Look What You Made Me Do,” “Anti-Hero,” “Cruel Summer,” “Is It Over Now? (Taylor’s Version) [From the Vault]” and “Fortnight,” featuring Post Malone. His résumé of No. 1s as a producer also includes Swift’s “All Too Well (Taylor’s Version).”
Island Girl
“Please Please Please” marks Island Records’ return to No. 1 on the Hot 100 after a nearly five-year break. The label, which formed in 1959, had most recently led via Shawn Mendes and Camila Cabello’s “Senorita” for a week in August 2019.
Three at 1
While repetition is naturally a key element in hit music, with catchy hooks driven home multiple times in songs, “Please Please Please” is just the fourth Hot 100 No. 1 with the same word and no others tripled up in its title. Here’s a (th)re(e)cap:
- “Please Please Please,” Sabrina Carpenter, 2024
- “Bump, Bump, Bump,” B2K & P. Diddy, 2003
- “Bills, Bills, Bills,” Destiny’s Child, 1999
- “Say Say Say,” Paul McCartney & Michael Jackson, 1983
Plus, shout-outs to similar but slightly more verbose Hot 100 No. 1s “(Shake, Shake, Shake) Shake Your Booty,” by KC and the Sunshine Band, and “Turn! Turn! Turn! (To Everything There Is a Season),” by The Byrds.
‘Please,’ Carpenters
“Please Please Please” is also the fourth Hot 100 No. 1 with the word “please” in its title, and, coincidentally, the second by an act with Carpenter as a last name, following the Carpenters – the duo of Karen and Richard Carpenter – who sent a remake of a 1960s classic back to the top spot:
- “Please Please Please,” Sabrina Carpenter, 2024
- “Please Don’t Go,” KC and the Sunshine Band, 1980
- “Please Mr. Postman,” Carpenters, 1975
- “Please Mr. Postman,” The Marvelettes, 1961
(Manners of speaking: Along with the four No. 1s above, four songs with “thank you,” or a slight variation, in their titles have led the Hot 100: “Thank U, Next,” by Ariana Grande; “Thank God I Found You,” by Mariah Carey featuring Joe and 98 Degrees; “Thank God I’m a Country Boy,” by John Denver; and “Thank You Falettinme Be Mice Elf Agin”/“Everybody Is a Star,” by Sly & The Family Stone.)
Post Malone & Morgan Wallen Lead Rest of Top 10
Elsewhere in the Hot 100’s top 10, Post Malone’s “I Had Some Help,” featuring Morgan Wallen, drops to No. 2 after spending its first five weeks on the chart at No. 1. It crowns the multimetric Songs of the Summer survey for a fourth week and Hot Country Songs for a sixth frame.
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Shaboozey’s “A Bar Song (Tipsy)” returns to its No. 3 Hot 100 best, as it wins the chart’s top Airplay Gainer award (47.8 million in audience, up 23%). It also leads Digital Song Sales for a sixth week (20,000, down 4%).
Below Carpenter’s “Espresso,” Tommy Richman’s “Million Dollar Baby” holds at No. 5 on the Hot 100, after hitting No. 2. It tops the multimetric chart for an eighth week and for a third week.
Kendrick Lamar’s “Not Like Us” is steady at No. 6 on the Hot 100, after led in its debut week in May. It takes top Sales Gainer honors (4,000, up 28%) and rules the multimetric Hot Rap Songs chart for a sixth week.
Hozier’s “Too Sweet” is stationary at No. 7 on the Hot 100, following a week at No. 1 in April. It commands Radio Songs for a second week (73.5 million in audience, up 4%), while leading the multimetric Hot Rock Songs and Hot Alternative Songs charts for a 12th week each and for an 11th week.
Benson Boone’s No. 2-peaking “Beautiful Things” returns to the Hot 100’s top 10, rising 11-8; Teddy Swims’ “Lose Control,” which reigned for a week in March, rebounds 10-9; and Billie Eilish’s “Birds of a Feather” backtracks to No. 10 from its No. 9 high.
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